Contient :
Nuttmigs and ginger,
Mother watkins ale,
Barrow faustus dreame,
Stingo,
Paggington's pound,
Bony sweet boy,
Willsons wilde,
Care charminge sleepe,
Short allmain,
Away delights,
Robin is to the Greenwood gone,
Passamezzo moderno,
Green garters,
Fortune my foe,
Chi passa per 'strada,
Bonny sweet robin,
Guillims dumpe,
O deathe, rock me a sleepe,
Browning my dere,
Hackney,
My lord willoughbies,
What if a day,
Green sleeves,
Grimstock,
Joyne Hands,
Phillips Paven,
Galliard to Phillips Paven,
A lieta vita,
O griefe, even on the bud,
Our bonny boots could toote it,
Pavin,
Gaillard,
Sola soletta,
In nomine pavin,
Gaillard to in nomine,
La coranto,
Sleepe slumb'ring eyes,
Thyrsis and milla,
Mousiers almaine,
The sacred end pavin,
Pavan,
Galliard,
A painted tale,
Faire in a morne,
Said I that amarillis,
Now is the gentle season,
Harke! Alleluia cheerly,
Hard by a cristall fountaine,
Now is the moneth of Maying,
O mistresse mine,
O mistresse mine,
My lord of Oxenfords maske,
Go crystal tears (The firste booke of songes of Ayres),
Awake sweet love, thou art returned (The firste booke of songes of Ayres),
His golden locks time hath to silver turned (The firste booke of songes of Ayres),
Now, O now I needs must part (The second booke of songes of Ayres),
A shepherd in a shade (The third booke of songes of Ayres),
What if I never speed ?,
Songs of sundrie natures,
Corant (Theatre Music of Shakespeare's lutenist),
Where the bee sucks (Theatre Music of Shakespeare's lutenist),
Fantasia I (Theatre Music of Shakespeare's lutenist),
Hark, hark! the lark! (Theatre Music of Shakespeare's lutenist),
Pavan I (Theatre Music of Shakespeare's lutenist),
Come, heavy sleep (Theatre Music of Shakespeare's lutenist),
Galliard I (Theatre Music of Shakespeare's lutenist),
Full fathom five (Theatre Music of Shakespeare's lutenist),
Alman I (Theatre Music of Shakespeare's lutenist),
Have you seen the white lily grow ? (Theatre Music of Shakespeare's lutenist),
Alman III (Theatre Music of Shakespeare's lutenist),
Tell me, dearest (Theatre Music of Shakespeare's lutenist),
Résumé : Voici un parcours magnifique autour de la musique anglaise au temps de Shakespeare de la fin du XVIème siècle au début du XVIIème siècle, période de règne d'Elisabeth I au cours de laquelle la musique est en étroite relation avec la poésie et où la reine a soutenu nombre de grands compositeurs en les engageant pour la Chapelle Royale.

Aucune information.

Aucune information.